All Ladies Do It

After five years of marriage, Diana finds herself unsettled by the familiar rhythms of her relationship. What begins as a spark of curiosity grows into a deliberate flirtation with someone outside the vows she once took seriously. She argues that embracing desire could actually help them talk honestly about what they want, and that betrayal might serve as a brutal but necessary mirror. The story follows her as she weighs loyalty against longing, and as the city at night becomes a stage for flirtations, disguises, and whispered conversations. The tone blends sex comedy with sharper observations about intimacy, power, and the uneasy question of whether passion can rescue a bond that feels frayed. No spoilers, just the tension of a risky experiment.

Released in 1992, All Ladies Do It was directed by Tinto Brass. The screenplay credits go to Francesco Costa, Bernardino Zapponi, and Ted Rusoff, weaving Brass's bold visual style with a sharp satirical edge and a willingness to push boundaries.

It sits alongside Brass's provocative European cinema and helped bring Claudia Koll into broader attention in the early 90s. The film's unflinching depiction of female sexuality and its playful yet daring tone sparked conversations about desire and autonomy on screen, influencing discussions about erotic comedy with a feminist lens and contributing to a broader cultural dialogue about consent and agency.

Critical response was mixed, reflecting Brass's polarizing reputation. Fans praised the fearless humor and Koll's performance, as well as the film's brisk pacing and bold set pieces, while others questioned whether the satire risks exploiting its subjects. The narrative treats marriage as a pressure cooker, using wit and frank sexuality to probe themes of commitment, autonomy, jealousy, and the gray areas between love and personal satisfaction.

Box office data for this title is not readily available from public sources, so a reliable worldwide gross is not listed. In many markets it played primarily to specialized audiences drawn to Brass's provocative approach rather than mass mainstream numbers.