Baghead

After her estranged father's death, Iris inherits a rundown pub whose walls have stood for centuries in Berlin. She travels to identify his body and meet the solicitor to sort out the estate, hoping to close a chapter she never fully understood. The place feels heavy, as if it keeps a secret. When the deed is signed Iris is drawn into a pact with something lurking below the cellar stairs. Baghead is a shape shifting presence that can imitate the dead, turning the building into a mirror of loss and danger. As the past bleeds into the present Iris must reckon with what the ruin wants from her. The film quietly builds its fear through isolating visuals and minimal dialogue.

Directed by Alberto Corredor, Baghead derives from an original concept by Bryce McGuire, Christina Pamies and Lorcan Reilly. The 2023 release unites Freya Allan, Jeremy Irvine and Peter Mullan in a Berlin based horror about inherited danger, old secrets and a city that keeps watch over its dead.

Baghead has grossed about 6,691,851 worldwide, placing it in the modest category for a modern horror release. The figure reflects a niche platform run rather than a wide blockbuster rollout, suggesting solid performance across streaming and select theatrical markets.

Critics describe a tense claustrophobic atmosphere and solid performances from Freya Allan and Peter Mullan. The story threads grief, legacy and the danger of clinging to a place that feeds on guilt, turning a family myth into a real threat. The tension ratchets up as Iris confronts the consequences of a link she never asked for.

Baghead contributes to contemporary horror with a Berlin rooted, no-nonsense approach and a memorable creature design. The shapeshifter in the basement yields striking visuals and prompts chatter among genre fans about how inherited spaces can mirror personal guilt. Its focus on atmosphere over splashy effects invites discussions about restraint in modern terror and the power of a single setting to carry a story.