Bordello of Blood

Rife with neon glare and wisecracking humor, Bordello of Blood follows a down-on-his-luck private eye named Rafe Guttman who takes a case that smells like trouble. Katherine Verdoux hires him to locate her missing rebellious brother, a job that drags him through a shadowy underworld. The trail leads to a vampiric brothel that uses charm and danger to lure clients, a operation steeped in secrecy and corruption. As Rafe digs deeper, he uncovers a web of power that stretches beyond the city limits. The chase whirls through neon clubs, shadowed crypts, and a seedy streak of nightlife. The case blends jokes with gore and pulp thrills, leaning into the film's campy, tongue-in-cheek tone. The tale nods to classic horror pulp.

Directed by Gilbert Adler, Bordello of Blood appeared in 1996 as part of the Tales from the Crypt Presents line, drawing on EC Comics' anthology legacy. It features Dennis Miller, Erika Eleniak, Angie Everhart, and Chris Sarandon in a vampire caper.

The film carried a budget of 15 million and grossed about 5.6 million worldwide, reflecting a modest return and a cult following rather than a mainstream hit, with a stronger life in video rental and retrospective viewings over time now.

Among horror fans, Bordello of Blood is remembered for its campy energy and the clash between Miller's wisecracking detective and Sarandon's pompous televangelist persona. Its blend of saucy humor, neon underworlds, and practical effects has earned it a small but persistent cult reputation. Its gore gags linger with fans everywhere.

Critics were divided on tone with some appreciating the performances and others faulting the uneven pacing. The film leans into exploitation tropes while offering a sly critique of religious power and showbiz, delivering a zesty spoof rather than genuine frights. The witty humor keeps it watchable for fans today, truly.