Das gelbe Haus am Pinnasberg

Set in Hamburg, the film follows a celebrated house of pleasure where a wealthy female clientele spends freely on the young men who work there. The rooms become a mirror for desire, money, and social vanity, a space where conversations mix flirtation with sharp social commentary. The management operates with glossy efficiency, staging encounters that expose class pretensions and power games beneath the surface glamour. When the owner, who has just seen his daughter settle into married life, makes a decisive move and puts the brothel up for sale, the entire enterprise confronts a turning point. As new interests collide and loyalties are tested, the routine of nightly performances collides with real world consequences, leaving the outcome uncertain. The staff themselves navigate ambition and secrets, giving the film a human edge. The Pinnasberg setting is more than backdrop, acting like a living thread through the plot.

Directed by Alfred Vohrer with a screenplay by Manfred Purzer, this 1970 German drama comedy was released as a provocative blend of humor and social observation. The ensemble features Eddi Arent as Majordomus, Siegfried Schurenberg, Gernot Endemann, and Mascha Gonska.

The film blends humor with pointed social critique, using the Hamburg brothel as a stage to examine how money, status, and gender shape interactions, turning desire into commentary. The tone shifts between warmth and irony, inviting laughs while inviting viewers to question norms.

Although not widely cited today, the film sits in a vein of early 70s German cinema that mixed risque humor with social critique. Its Hamburg setting and the mix of satire and human moments offer a snapshot of the era and hint at what such films signaled about changing mores.

Box office data for this title is not widely documented, so reliable figures on its commercial performance are not available in common sources.