EVA

Set in 2041, EVA imagines a near future where humans and highly capable machines share daily life. The story follows Alex Garel, a renowned cybernetic engineer who returns to his old hometown after years away. He steps into a world where the line between human and synthetic life has blurred, and he is drawn into a project that aims to birth a new kind of robot child. The hometown feels metallic and quiet, a place where memory clings to familiar faces while technology hums beneath the surface. As Alex reconnects with family and colleagues, he confronts the personal stakes of his work, testing how far devotion to invention should go. Even the town's secrets echo in the circuitry of progress.

Directed by Kike Maíllo EVA arrived in 2011 as a European science fiction drama. The screenplay was shaped by Martí Roca, Sergi Belbel and Aintza Serra, with Daniel Brühl, Marta Etura and Alberto Ammann in lead roles to international audiences.

Box office data for EVA is not included in the provided material, so there are no official worldwide gross figures to report. Some markets may have shown limited release, but exact numbers are not documented here in the present sources.

Visually EVA embraces a sleek near future with chrome textures and intimate close ups that highlight the emotional stakes of synthetic kinship. The premise echoes ongoing debates about parenting and autonomy in a tech driven world, and it has earned attention in European genre cinema.

Critics have noted EVA as a thoughtful meditation on what makes us human when machines imitate life. The film foregrounds memory and responsibility while asking whether the longing for perfect companionship can justify sacrifice. Brühl and Etura deliver restrained performances that anchor the moral questions in a universe of intelligence today.