Everything Will Be OK

Everything Will Be OK follows Bill, a plain man whose simple life unravels as a string of unsettling events unfolds. As misfortune stacks up and reality bends in odd, dreamlike ways, Bill confronts the possibility that his life might have little inherent meaning. The film relies on spare, sticklike animation and a dry sense of humor to frame a crisis that feels intimate and cosmic at once. There are no easy answers, only a sequence of jarringly funny and bleak moments that push Bill to measure what matters. The tone blends melancholy with deadpan wit, never overexplaining. The storytelling relies on cadence, with short, precise scenes that build a quiet, nagging sense of dread.

Directed by Don Hertzfeldt, Everything Will Be OK is an original independent short that showcases his signature hand drawn technique. The film sprang from Hertzfeldt's own ideas and personal style, and it features his narration. It premiered at film festivals before finding an audience online and through limited screenings.

Box office figures for this short are not publicly reported. It exists mainly on the festival circuit and online platforms, not through a traditional wide theatrical release. Its footprint is measured in views and festival showings rather than grosses.

The film is widely regarded for its austere visuals and unflinching look at fear, memory, and meaning. Its spare line drawings, stark blacks and whites, and crackling sound design create a mood that lingers with viewers. It helped popularize minimalist, introspective animation and earned a devoted following among fans of independent cinema.

Critics praised its fearless blend of bleakness and sly wit, noting how it handles existential anxiety without sermon or sentimentality. The work probes isolation, the fragility of everyday life, and the challenge of finding significance in a world that defies easy explanation. It stands as a quiet, unsettling meditation on life.