It's Such a Beautiful Day

Bill's mind fractures under the weight of illness and memory, and the film watches him try to assemble the pieces of his life into some kind of coherent picture. Across a string of day-long episodes, he grapples with loss, the erosion of thought, and the fragile line between ordinary routine and sudden, uncanny intrusions. The visuals favor Hertzfeldt's spare stick figure style, yet the images accumulate into a dreamlike mosaic of humor and heartbreak. There are scenes of hospital corridors, whispered conversations with the self, and the relentless march of time that seems to wear at the edges of reality. The film collects the trilogy into a single, continuous meditation on identity, mortality, and what it means to endure. Again.

Directed by Don Hertzfeldt, It's Such a Beautiful Day fuses three earlier shorts into a single feature length work. The segments are Everything Will Be OK (2006), I Am So Proud of You (2008), and the 2011 title piece together.

Box office figures for this avant garde title are not widely reported due to its limited release and independent status. It earned attention primarily in film festivals and art house circuits rather than broad commercial outlets. Its reception reflects growth.

Built as an experimental touchstone, the film is admired for its stark line work and willingness to treat heavy subjects with deadpan humor. It inspired a new generation of indie animators to blend personal narrative with abstract visuals and philosophical musings. Its influence extends to other media for lasting impact.

Critics praised its patient, unsettling mood and its willingness to treat big questions with humor and honesty. The film foregrounds memory, mortality, and the fragility of perception, while the pared art style mirrors the mind's collapsing map of reality. Audiences report strong emotional resonance and intellectual engagement across viewing experiences.