Femme

Jules is a London drag performer who withdraws from the spotlight after a brutal assault that leaves him reeling and his career at a standstill. He keeps his trauma folded into the back of his day to day, moving through clubs and quiet apartments with a careful, guarded pace. Months later a chance sighting at a gay sauna brings back the memory of one of his attackers, and a quiet, unsettling calculation takes hold. Rather than seeking comfort or closure, Jules starts weighing a dangerous option that promises a sense of control he has lost. The story keeps the focus on character, pain, and the risks that come with revenge while avoiding predictable twists. Friends fear his choice these days.

Directed by Sam H Freeman and Ng Choon Ping, Femme arrives as a drama weaving themes of trauma and identity. The film is presented as an original screenplay and reflects the directors' collaborative approach to telling intimate, character driven stories.

Box office data for Femme has not been released, and no worldwide grosses are listed. The absence of numbers suggests either a limited release or that commercial tracking was not widely reported at present, leaving the film's commercial footprint unclear.

Critical notices emphasize the tense mood and the strong central performance by Nathan Stewart-Jarrett as Jules, supported by George MacKay as Preston and Antonia Clarke as Molly. The film probes pain, power, and desire, placing a wary spotlight on how trauma reframes relationships and what revenge can and cannot repair.

The film raises conversations about drag culture, consent, and vengeance within queer spaces. Its most discussed moments involve Jules's determined posture and the ethical questions the story poses about retaliation and healing in a city that often masks its hurt, inviting reflections on resilience. It also underscores communal support systems.