Fifty Million Husbands

Two people who were once married return to the apartment where their romance began, only to find the place now occupied by Charley and his wife. The reunion stirs memories and unease as old sparks collide with present ties and new misunderstandings. Charley, nimble though clumsy, does his best to keep things light while his wife balances hospitality with suspicion. The visit unfolds as a brisk procession of near mishaps, exchanged glances, and mistaken motives, set against a bustling urban building filled with neighbors who chip in with comic angles. What starts as a call becomes a test of trust and affection, delivered with fast dialogue and physical humor. No spoilers here, just a playful snapshot of romance under strain.

Released in 1930, the film was directed by Edgar Kennedy and James W. Horne. It features Charley Chase and Ruth Hiatt in a brisk romantic farce; the source material isn't documented, suggesting an original screenplay rather than a novel adaptation.

Box office data for this title isn’t publicly documented, reflecting its status as a modest early talkie release rather than a major hit. Contemporary records typically covered studio packages, with many small features from 1930 drawing modest receipts for studios.

No major awards are documented for Fifty Million Husbands. In an era when the talkies were still proving themselves, many comedies circulated as part of studio programs without earning nominations. The absence of notable nominations aligns with its status as a light entertainment feature rather than a prestige release today.

Reception to Fifty Million Husbands is not widely documented, but it fits the era's brisk mix of romance and slapstick. The film centers on miscommunication between lovers, social missteps, and the stubborn optimism that keeps couples laughing through chaos, even as misunderstandings pile up, and the light touch of affection.