Get In

The Diallo family returns from a holiday to a house that suddenly feels foreign. The front door is barred with new locks, and the people inside claim the home as theirs. With no help at hand, Paul, a retired teacher, forges a wary bond with Mickey, a local man whose appetite for risk and illegal thrills unsettles the neighborhood. That uneasy alliance stretches the boundaries of what Paul is willing to tolerate, even as fear and anger tighten their grip on him. What begins as a desperate bid to reclaim control spirals toward a fork in the road where violence and propriety collide, and the man they once trusted becomes someone they barely recognize. The story keeps a tight focus on the consequences of a family losing control, avoiding easy answers and letting tension simmer.

Directed by Olivier Abbou and Aurélien Molas, Get In stars Adama Niane, Stéphane Caillard and Paul Hamy in a thriller about a family under siege. The film marks a collaboration between Abbou and Molas, known for pushing settings into moral maelstroms.

Box office information for Get In is not widely reported, reflecting its limited release and niche appeal. In 2019 it appeared in select cinemas and at festivals, with no widely publicized grosses or domestic box office milestones.

No major awards or nominations for Get In are documented in mainstream databases. The film tends to circulate within genre conversations rather than awards circuits. Critics view it as a lean character study and a demonstration of Abbou and Molas steering a tense social thriller.

Critics note the claustrophobic setup and the moral pressure that pushes a once peaceable man toward danger. The film probes how fear and power can warp judgment and blur the line between protection and aggression for a family under threat. Its focus on moral ambiguity resonates with viewers.