Get Married If You Can

Ana Paula discovers her fiancé's betrayal just as wedding plans are in full swing. The shock hits hard, and a night out to clear her head ends with her waking far from home. With her future suddenly uncertain, she wrestles with grief, anger, and a flicker of freedom. The morning after drops her into unfamiliar streets and unexpected company, and she starts to question the life she thought she wanted. What follows is a string of comic missteps and chance encounters that push her toward choices she never expected, nudging her toward self discovery without fully losing her sense of humor. Through awkward delays, late night talks, and a few bad ideas that turn into tiny triumphs, she discovers what kind of life she wants to build.

Directed by Marco Polo Constandse, Get Married If You Can released in 2014 with a concept by Martha Higareda. It sits in the realm of contemporary Mexican romantic comedies and showcases Higareda's hands on involvement as creator and star.

Its worldwide gross of 15,998,618 dollars reflects solid regional interest and a loyal audience for witty, city set romance stories. The figure highlights the film's ability to travel beyond its local market. Fans of Higareda's style helped drive word of mouth.

Even if not a global phenomenon, the movie highlights a trend toward creator driven Latin romance comedies starring women. Higareda's dual role as creator and lead underscores a shift in who shapes and profits from this corner of cinema. It resonates with audiences who crave modern, independent heroines.

Critics noted the film's brisk pace and the balance of heartbreak with humor. It examines trust after betrayal, the pull of independence, and how a person can redefine commitment on their own terms, all while keeping a light, approachable tone that fits fans of feel good rom coms.