Hasta el fin del mundo

After their father's death, Sofía Ripoll, the eldest of three sisters, steps into the family chocolate business and tries to keep the company thriving while shouldering new responsibilities. The sisters navigate grief, loyalty, and the pressures of running a once celebrated enterprise that now faces competition and personal betrayals. Sofía is engaged to a man who uses her as a means to his own fortune, a setup that tests her judgment and self worth. When Salvador Cruz, a former race car driver who takes a job as her driver, proves unexpectedly tender, a forbidden attraction blooms. The story follows ambition, family bonds, and the costs of choosing personal happiness. Together the sisters chase a future that might outpace their past.

Directed by Ricardo de la Parra and Marta Luna, this drama from 2014 was created by Kary Fajer, Gerardo Luna and Laura Barneix. It weaves a family saga with a workplace setting around a chocolate factory, appealing to fans worldwide.

Reception leans on the chemistry among Sofía, Chava, and the other family members as it tackles power, loyalty, and self discovery within a high stakes business. The show blends romance with business pressure, weighing personal fulfilment against duty to family. The tone shifts between warmth and tension as trust grows.

The series has sparked conversations among fans of regional dramas for its portrayal of women balancing leadership with romance, and for the glossy depiction of a chocolate factory as a backdrop for ambition and fraught relationships. It stands out within its genre. The setting itself invites a reread for viewers.

No major awards are publicly documented for this title today. The production emphasizes character dynamics and drama over trophy recognition, focusing on the relationships between Sofía, Chava, and the rest of the cast as the story unfolds for audiences worldwide.