Honey
Anny, a young woman, steps into a hotel that feels alive and otherworldly, where corridors shift and rooms rearrange themselves. The hotel becomes a maze that blurs dreams with waking life, and Anny moves through it. The air carries echoes of guests who vanish through side doors, leaving... Read more
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About Honey
Anny, a young woman, steps into a hotel that feels alive and otherworldly, where corridors shift and rooms rearrange themselves. The hotel becomes a maze that blurs dreams with waking life, and Anny moves through it. The air carries echoes of guests who vanish through side doors, leaving fragments of conversations behind. Along the way she encounters a writer who records encounters, an editor who edits not words but truths, a stern landlady who measures every gesture, and a governess who watches from the shadows like a patient sentinel. The hotel imposes rituals and surreal encounters that test boundaries and identity, mixing ritual scenes with intimate dialogue, all bathed in soft dreamlike lighting. The film never shouts its ideas yet insists on questions about autonomy, power, and what happens when fantasy becomes your only map of reality. It invites viewers to trust the atmosphere more than answers and to decide what your desires may demand in a world that keeps shifting beneath you.
Directed by Gianfranco Angelucci, Honey arrived in 1981 as an Italian drama with an original screenplay by Liliana Betti and Enrique U Herrera. The cast features Clio Goldsmith, Catherine Spaak, Fernando Rey, Donatella Damiani and Nieves Navarro. The project sits within Italian art cinema's experimental traditions.
Box office figures for Honey are not widely published, and the film remains a niche entry in Italian surreal cinema rather than a commercial staple.
There's no record of major awards for Honey, and it has not been cited among Oscars or Golden Globes contenders. The film is usually discussed within circles that appreciate offbeat European cinema and bold genre experimentation.
Reception appears colorfully mixed, with audiences drawn to the hypnotic mood and the way the hotel symbolizes desire and autonomy. The performances, especially Clio Goldsmith's restrained lead and Catherine Spaak's enigmatic writer, anchor the film's dream logic. The surreal imagery and restrained pacing create a hypnotic atmosphere that rewards patience. The themes pulse around identity, power, and the tension between fantasy and reality, challenging viewers to decide how much the hotel may reveal about their own yearnings when nothing stays still.
Details
- Release Date
- May 08, 1981
- User Ratings
- 17 votes
- Type
- Movie
- Genres
- Drama
Cast
Clio Goldsmith
Anny
Catherine Spaak
Writer
Fernando Rey
Editor
Donatella Damiani
The Landlady
Nieves Navarro
Governess
Lino Troisi
Paternal Man
Adriana Russo
Inés, the Maid
Giuseppe Pennese
Ridolfi, the Dance Teacher
Francisca Fernández
Luc Merenda
The Man in the Room
Director: Gianfranco Angelucci
Written by: Liliana Betti, Enrique U. Herrera