Inmortal

Ana returns to Buenos Aires to settle her father's estate and stake her claim to what remains of his life. She crosses paths with Dr. Benedetti, a scientist who has unlocked a doorway to another dimension. The prospect of speaking with those who have left this world draws Ana toward memories she thought were closed forever. The city seems to exhale as the doorway flickers with promises and warnings. The film builds a mood of sleek, clinical tension as the line between life and death becomes pliable, and every step toward the portal raises questions about memory, guilt, and the cost of tampering with fate. No spoilers are given here, only the sense of a trapdoor opening to what lies beyond.

Directed by Fernando Spiner, Inmortal arrives in 2021 and comes from a collaboration with writers Pablo De Santis and Eva Benito. The film centers Belén Blanco as Ana and Daniel Fanego as Dr. Benedetti, with Analía Couceyro and Patricio Contreras in supporting roles.

Box office information for Inmortal is not widely reported, and there are no publicly released figures to show its financial impact. The film appears to have limited commercial release beyond its regional circuit, and no major distribution in other markets.

As of now there are no major awards listed for Inmortal. It did not receive notable nominations at the major ceremonies, and critical recognition remains limited to local press and niche genre outlets. The absence of awards does not necessarily reflect the film's ambition, only its visibility.

Readers and viewers would likely note the film's quiet focus on mortality ethics and the lure of resurrection through science. The tension comes from character psychology, memory and the unknown consequences of crossing between worlds rather than loud action. Visually the production leans into clinical minimalism with a chilly Buenos Aires atmosphere that amplifies the moral questions.