Last Shift

Rookie police officer Jessica Loren is assigned the last shift at a shuttered city station and told to wait for a hazmat crew to come and collect biomedical evidence. She is ordered to stay inside the building under all circumstances, a rule that feels less like a safety protocol and more like a test of nerve. As the night stretches on, the station ceases to be merely old and empty and starts to feel inhabited by something older and darker. Whispers tell of a figure at the center of the place and a devoted band of followers who regard the building as sacred ground. Corridors twist into staircases of shadow, vents carry distant muffled chants, and a single flashlight becomes a lifeline. Jessica fights to keep her wits and survive until dawn, relying on training and stubborn resolve.

Directed by Anthony DiBlasi and written for the screen by Scott Poiley, Last Shift is an original concept that leans on atmosphere and character rather than heavy effects, rewarding patient audiences.

Box office data for Last Shift is not widely reported due to its limited release, but the movie has found an audience through festivals and streaming platforms, a common path for indie horror that gains momentum in midnight showings and regional premieres.

Reception has been mixed yet thoughtful. The film sits around 6.28 out of 10 on aggregate scores from 682 votes, with praise directed at the tense setup and Juliana Harkavy's focused performance, while some critics feel the pacing slows mid run and the later reveals land softly, which leaves room for debate about intensity versus payoff.

Culturally the movie has a small but steady footprint in horror circles, celebrated for a tight single location ambiance and practical effects that deliver scares without a big budget. It marks a solid entry in DiBlasi's body of work and a reminder that restraint can surprise fans who appreciate quieter horror.