Let's Make Love

An ultrawealthy playboy named Jean-Marc Clement is set to be lampooned in a satirical Off-Broadway revue. Instead of simply watching, he hatches a cheeky plan to infiltrate the show by pretending to be the actor cast to portray him. He assumes the role to get close to Amanda Dell, the alluring star who headlines the production, hoping to court her under the guise of a man she already admires from the stage. As pretend and reality blur, the glamorous high society world collides with backstage comedy, producing a mix of flirtation, mistaken identity, and farcical misadventures. The setup leans into Marilyn Monroe’s irresistible charm and the film’s light, breezy tempo.

Directed by George Cukor, the 1960 film Let's Make Love presents an original screenplay by Norman Krasna with songs by Sammy Cahn and Harry Ruby. It pairs Marilyn Monroe with Yves Montand, supported by Tony Randall, and a lively supporting cast.

The film is remembered for Marilyn Monroe's musical numbers and her on screen chemistry with Yves Montand in their flirtatious duet. It captures Monroe's screen magnetism at a moment when Hollywood mixed comedy with song, leaving a recognizable (and sometimes controversial) pop culture footprint that still surfaces in retrospectives today.

Critics treated it as a light sparkling romp rather than a weighty profound comedy; the film explores identity and attraction under the pressure of fame. Montand and Monroe's banter drives the humor, while Cukor's polished direction keeps the tone breezy. Its humor rests on charming misunderstandings and social contrasts throughout.

Awards: The film did not win major awards; no widely documented nominations are associated with its release. It remains notable for Monroe's performance and the collaboration with Montand, marking a significant moment in their careers despite the absence of major prizes. Scholars occasionally mention its stylistic flair and star dynamics.