Los días en verano son más largos

Married couple Carmen and Jorge are locked in a recurring argument that refuses to be settled by words, so they choose silence as an experiment to test their bond. The story watches how stopping speech rearranges daily life, turning small gestures and routines into the main language of the home. Their son Dani and close friends Belén and José react in varied ways, exposing old hurts and loyalties. The film stays close to ordinary moments, tracking shifts in power and intimacy as silence both conceals and reveals, all while leaving the eventual resolution of their pact uncertain.

Released in 2010, the film was directed by Aina Calleja and stars Evangelina Sosa and Lenny Zundel, adapting an original screenplay rather than a known source, and it played in regional festivals and art house venues across Spain and Mexico.

Commercial figures are not widely reported, and there is no reliable worldwide gross available, suggesting a limited theatrical run and primarily festival and local screenings rather than broad commercial distribution. Public box office details and digital release info are scarce.

While not broadly known, the film's minimalist focus on silence and nonverbal communication has resonated with a small circle of critics and viewers who discuss its experimental restraint, subtle performances, and the way it challenges expectations about marital drama, encouraging quiet reflection rather than spectacle among festival attendees and scholars.

Critical coverage is limited, with few recorded reviews and little mainstream attention, yet viewers who find the film praise its patient pacing, the performances of Evangelina Sosa and Lenny Zundel, and the moral questions about intimacy, silence, and communication within long term relationships that linger after viewing and spark discussion.