My Fault: London

Noah is eighteen when she and her mother relocate from the United States to London after her mother begins a relationship with William, a well-to-do British businessman. Thrust into a new school and social scene, Noah keeps to herself until she repeatedly crosses paths with William's son, Nick, a brooding troublemaker who both frustrates and intrigues her. Their attraction grows over a summer marked by laughter, small rebellions and shifting loyalties, even as fragments of Noah's painful past surface and complicate her choices. Alongside budding friendships and awkward family dynamics, she navigates what first love feels like, and what it asks her to risk, without revealing how those challenges are ultimately resolved. She also has to reckon with strangers' expectations and a stepfamily dynamic that tests her independence.

Directed by Dani Girdwood and Charlotte Fassler, My Fault: London premiered in 2025. It was created by Domingo González, Melissa Osborne and Mercedes Ron, and features Asha Banks, Matthew Broome, Eve Macklin, Ray Fearon and Enva Lewis, supported by a young ensemble.

Audiences have given the film about a 7.4 out of 10 from over five hundred votes, praising chemistry and lead performances. Critics also noted recurring themes of young love, lingering trauma, class tension and family reinvention, observing that the narrative emphasizes emotional choices and character work more than plot spectacle.

Since release it has prompted a lively online fan community, especially around Noah and Nick's relationship, and conversations about how the film portrays healing after trauma. Asha Banks's turn as Noah has been singled out as a breakout performance, and scenes from the summer romance have been widely shared on social platforms.

Box office totals and distribution details vary by territory and are not widely publicized, but the picture gained steady attention beyond its theatrical run and later found additional viewers on streaming platforms, appealing especially to younger audiences rather than broad mainstream crowds.