Number One Fan

Muriel Bayen is a divorced beautician and mother of two who fills her days with stories. She worships Vincent Lacroix, a singer she follows with zealous devotion. When Lacroix himself appears at her doorstep asking for help, her ordinary life collides with the glitz and danger of fame. The encounter drags her into a murky dynamic where adoration, truth, and manipulation brush against each other. Muriel must weigh what she owes a stranger who knows her better than she knows herself, while juggling the demands of family and the small comforts of her daily routine. The film blends drama, comedy and suspense to examine desire and control from a close up, human angle.

Directed by Jeanne Herry, Number One Fan translates Gaëlle Macé's concept to the screen with a precise, intimate eye. This French drama blends thriller beats with light comic relief as it follows a devoted admirer whose encounter with a pop icon pulls her into uncharted territory.

Box office data for Number One Fan are not publicly disclosed, and the film appears to have had a modest release in French cinemas with limited international exposure. Some markets may not have reported figures, making a complete worldwide tally unavailable.

Despite solid performances, Number One Fan did not receive major nominations at César Awards or other high profile ceremonies. Critics praised Sandrine Kiberlain and Laurent Lafitte for grounding the psychological tension, while noting the film's restrained look at fame, power dynamics, and moral ambiguity. It remains a quiet, character driven piece rather than a splashy awards contender.

Critics describe the movie as a tight blend of humor and suspense that probes obsession, boundaries, and the seductive pull of fame. The performances, especially by Sandrine Kiberlain, offer a grounded look at a woman's fragile sense of control while the story questions what a fan is willing to risk.