Panama

Panama centers on James Becker, an ex marine recruited by a private defense contractor to carry out a clandestine arms deal in Central America. He lands in Panama with a tight window and a singular focus, relying on battlefield discipline to navigate a murky network of operatives, mercenaries, and corporate negotiators. As the plan runs its course, Becker is drawn into the larger, messy reality of the U S invasion of Panama and the way power moves through money and influence. The mission becomes less about profit and more about sensing who truly controls events. Through Becker's eyes the movie asks how much a single decision can tilt the balance of international power. Becker's decisions force him to weigh loyalty against survival as facades crack and alliances shift under pressure. The film leans on practical stunts and tight framing to keep the tension high.

Directed by Mark Neveldine, Panama released in 2022 and was built from an original screenplay by Daniel Adams and William Barber. The film pairs high speed chases and staged firefights with a suspenseful, political undercurrent that invites viewers to question who profits from chaos.

Audiences gave it a middling reception, reflected in a modest average score, suggesting the film's brisk pacing and high stakes appealed to action fans while its political framing divided critics. The movie examines how private interests intersect with state power and the cost of intervention, offering a look at power.

Box office data for Panama is scarce, reflecting a limited release and niche audience rather than a wide scale commercial push. While it may appear on streaming platforms, it did not make waves at major markets.

Culturally the film is a footnote in late 2020s thrillers rather than a touchstone. It lacks a signature quote or scene that ignited widespread imitation, but its cast pairing and its take on private power may spark conversations among fans of political action cinema.