Pandora in the Crimson Shell: Ghost Urn

A series of massive natural disasters has unsettled the world, and cutting edge cybernetics and autonomous robots are starting to reshape daily life. The rich gain better hardware, the poor fall further behind, and society feels fractured and uncertain. In that uneasy climate two girls with heavy cybernetic upgrades cross paths, one cheerful and naïve, the other a more experienced combat model, and their meeting sparks a mix of action, slapstick, and tender moments. The film follows their developing bond as they get involved in odd jobs, run-ins with corporate rivals, and technological mysteries, keeping the tone light while showing how tech changes personal identity and social status.

Directed by Munenori Nawa and released in 2015, the movie adapts material by Shirow Masamune and Koushi Rikudou, with original contributions from Tatsuya Takahashi. It features voice work from Sanae Fuku, Manami Numakura, and Atsuko Tanaka, capturing a breezy, anime-inflected take on cyberpunk.

The film did not register as a major box office event, instead finding most of its audience through home video, streaming, and international anime outlets. Its commercial footprint stayed modest, aligned with niche genre releases rather than mainstream blockbusters.

Among anime fans the movie carved out a small following, partly because of its playful spin on Masamune's familiar themes and visual cues. That connection led viewers to compare its style to more serious cyberpunk works, and it drew attention from cosplayers and genre bloggers who appreciated its quirky character designs and action set pieces.

Critical and fan reactions were mixed to positive on limited sampling, reflected in a small user rating of 6.0 out of 10. Viewers tend to praise the chemistry between the leads, the punchy animation, and the humor, while some note the plot leans toward light entertainment rather than deep exploration. Major themes include friendship, how technology shapes selfhood, and the widening gap between those who can afford upgrades and those who cannot.