Patrick

Patrick lies comatose in a small private hospital, his body kept alive by routine monitors and quiet routines, his only outward action a stubborn spitting reflex. A nurse recently separated from her husband starts her first week on the night shift, moving through sterile hallways. She begins to suspect that the motionless patient is reaching out to her, that invisible signals are crossing the distance between bed and bedpan, whispering into her life. As unusual incidents begin to shadow her days, Patrick's supposed psychic powers seem to bend conversations and judgments, hinting at danger behind the hospital doors. The more she probes, the more fragile her sense of reality becomes, yet the why behind it all stays murky.

Directed by Mark Hartley, Patrick 2013 is a Australian reinterpretation of the 1978 classic. Scripted by Justin King, the film retains the hospital setting and telepathic premise while updating visuals and tone for contemporary audiences, with a cast led by Rachel Griffiths and Charles Dance.

Box office details for Patrick are not widely reported, reflecting a modest release. In Australia it opened in select cinemas and screen counts were limited abroad. Because there is no widely published worldwide gross, numbers remain undisclosed, and the film is generally viewed as a niche genre release.

Patrick did not attract major nominations or wins at the big award ceremonies, a fate shared by many genre titles that fly under mainstream radar. Reviewers noted solid performances from the cast, particularly Vinson and Griffiths, but the production did not land prominent accolades or nominations in top awards.

Critical response to Patrick highlights atmosphere and the claustrophobic hospital setting as engines of dread. The film leans into isolation, control and the idea that mental power can tilt reality, delivering tension without overexplanation. Some critics praise the performances, especially Vinson and Griffiths, while others point to uneven pacing and tonal shifts that stall momentum.