Pretty Thing

Pretty Thing follows Elliot, a polished executive who seems to have it all, until a former flame refuses to let the past stay buried. When Sophie reappears, her longing curdles into fixation and she begins orchestrating a tense game of push and pull that tests Elliot's control. As their private feud spills into the corners of power and wealth, the line between protection and manipulation blurs. The world this thriller inhabits is a glossy, high stakes space where private power deals and late night calls measure a person more than words. With slick tension, reluctant allies, and a mounting sense of danger, the film tracks how a relationship gone wrong can tighten its grip even on a person used to calling the shots. The film creates a sense of unease that sticks beyond the screen.

Directed by Justin Kelly with a story credited to Jack Donnelly, Pretty Thing arrives as a sleek thriller driven by a tense dynamic between a power broker and the person who won't let go. The film leans on a stylish moody visual approach and a crisp electronic score. Kelly draws sharp performances from a tight ensemble.

Box office figures for Pretty Thing have not been publicly released, which is common for newer indie thrillers. The film has generated modest attention on festival circuits and streaming previews.

At the moment there are no major awards announced for Pretty Thing. The cast anchors the tension with Karl Glusman and Alicia Silverstone delivering controlled performances, while the film positions itself as a sharp character study wrapped in glossy suspense.

Early reactions point to a lean, tense mood and a focus on control power and obsession. Critics emphasize how the chemistry between Elliot and Sophie drives the drama, turning a workplace thriller into a portrait of possessive fixation and consequence.