Serial Driver

Pauline spends her days directing focused lessons at a road safety rehabilitation center, teaching patients and confident drivers how to avoid danger on the highways. By night, she slips into a different persona, embracing a dangerous double life that turns ordinary commutes into tense game stakes. The movie follows her peculiar balance between the meticulous discipline of a trainer and the impulsive, sometimes chilling choices she makes after hours. Set against a modern urban backdrop, the film mixes streetwise crime caper elements with sharp humor, letting Pauline's routines collide with the law, police procedures, and the oddball cast that surrounds her. The result is a darkly comic look at control, risk, and identity. The humor lands through deadpan dialogue and tight timing, which keeps the premise playful even as it brushes against darker ideas.

Directed by Jonathan Barré from an original script by Laurent Vayriot, Serial Driver is a French crime comedy that blends road safety satire with offbeat crime caper energy and a sly urban sociable vibe.

Reception and themes center on an offbeat balance between civic duty and a dangerous appetite for revenge. The film toys with gender norms and authority, using Pauline's double life to probe how routine public service can mask volatility and humor can soften hard edges. Performances from Laure Calamy and a witty supporting cast give the premise emotional texture, balancing tension with laughs.

Box office figures have not been publicly disclosed, and there is no widely reported worldwide total for Serial Driver. The absence of disclosed numbers keeps expectations unclear, though festival circuits and streaming pickups could influence its visibility in niche markets. Without public data, analysts must rely on word of mouth and critical chatter to gauge its reception.

With any luck Serial Driver may find a dedicated audience in France and beyond, given its quirky premise and strong performances. If it earns attention, it could spark conversations about how humor can coexist with darker subject matter and about the pressures faced by women working in public service today.