The Boy, the Bust and the Bath

Set in a bustling boarding house, the film follows a young woman who rents a room and soon finds herself the target of unsolicited attention from the male residents. Rather than dwelling on melodrama, the short leans into brisk physical humor and visual gags as attempts to charm are met with bewilderment, sly refusals, and comic misunderstandings. The situation escalates in playful misunderstandings and exaggerated reactions that keep the tone light and farcical. In this early silent format, the predicament serves as a canvas for performers to rely on physical timing and facial expressions to convey discomfort, humor, and social boundaries without spoken dialogue. These brief gags reflect the era's social norms and stage tradition.

Produced in 1907, this silent comedy features Florence Lawrence as The Lady and J. Stuart Blackton Jr. as The Boy; director credits are not clearly documented in records, and release details remain sparse from the era, reflecting star system practices.

Box office data for this 1907 short is not readily available; it likely played as part of program reels in early cinema venues rather than as a standalone commercial release, a common practice for short films of the time.

There are no known awards or nominations associated with this title. In 1907 the awards landscape was minimal and many short films did not register for recognition, a reality reflected in the sparse documentation surrounding such early works.

As a tiny snapshot of turn of the century humor, the film hints at social nerves around female autonomy and male advances within a boarding house. The humor relies on timing and physical craft more than dialogue, capturing an era when cinema translated everyday tensions into motion and gags. Its brevity makes the performances crisp, and the blocking deliberate, highlighting how early filmmakers choreographed crowd interactions on screen.