The Exorcist: Believer

Victor Fielding, still haunted by the loss of his wife, raises his daughter Angela in a quiet life shadowed by grief. When Angela and her friend Katherine West vanish for three days and return with no memory of what happened, a chilling sense of danger takes hold. The girls begin displaying disturbing behavior that echoes the infamous exorcism from years past, as if a dark force has latched onto their lives. Victor seeks help from doctors and priests, trying to separate medical issues from something far more sinister. The strain tests his resolve as fear and faith clash, and the line between protection and possession becomes dangerously blurred. The outcome remains unknown as shadows gather, and a quiet courage stays.

Directed by David Gordon Green, the film expands the Exorcist world while honoring William Peter Blatty's origins. Screenplay credits include Green with Peter Sattler and Scott Teems, and it released in 2023, adding a sharper take on supernatural dread today.

With a budget of about 30 million, The Exorcist: Believer grossed roughly 136.3 million worldwide, signaling solid commercial performance for a mainstream horror thriller released into a crowded market and solid reception from audiences across multiple territories in international markets.

Critics were divided over how the film handles grief and faith within a horror framework. Some praised the tense atmosphere, practical effects, and how it tests parental protection against an unseen malevolence. Others felt it leaned too heavily on familiar franchise milestones, scuttling novelty. Some viewers notice new thematic angles.

Though part of a long running horror lineage, the movie contributes to debates about possession and religious doubt in contemporary cinema. It revives familiar iconography for a new generation, inviting conversations about motherhood under pressure and the boundaries between science and superstition. It also prompts discussions about storytelling in sequels.