The Madness of Humpty Dumpty

Returning to the countryside home she grew up in, a young woman grapples with the early signs of schizophrenia and a tightening grip on reality. Soon a carved doll that seems harmless at first becomes the focal point of a string of unsettling events that blur the line between what she believes and what she fears. Lights flicker, memories distort under the weight of the house, and voices echo from the doll's hollow eyes. As her grip on normal life weakens, the town and its shadows close in, forcing her to confront whether the doll dictates her fate or merely exposes a mind fraying under pressure. The film keeps you guessing, maintaining a tight, claustrophobic pace from start to finish.

Directed by Daniel Yates, The Madness of Humpty Dumpty stems from an original screenplay by Harrison Thomas Boxley. The film stars Rebecca Phillipson, Emily Webber, Callum Preville, N Walters, and Ivan Wilkinson, set against a countryside backdrop that feels isolating.

Box office figures for the film have not been publicly disclosed, and there is no widely reported theatrical footprint. Release details appear limited to select markets, with distributors keeping numbers private and no major domestic or international tallies available today.

There are no major awards or nominations documented for this title. It has flown under the radar on the awards circuit, a release more likely to appeal to fans of independent horror and atmospheric storytelling. In festival circles some attention has been noted for its practical effects and restrained approach.

Critics acknowledge the film's claustrophobic atmosphere, the unreliable perception of reality, and how the doll motif amplifies fear. The themes probe isolation, the fragility of perception, and the stigma surrounding mental illness without sensationalizing it. Its restraint invites careful discussion about how horror can reflect inner turmoil without cheap shocks.