The Man who saw Death

A man with a rare psychic gift assists the police by foretelling crimes before they occur, offering images and hints that steer investigations. As his predictions accumulate, the burden of foresight wears on him and his relationships, and one chilling vision appears to target his own life. He tries to alert officers and friends, to interpret the signs and to keep ordinary days from turning dangerous. The story builds atmosphere and moral unease as the line between knowing the future and causing it becomes unclear, while preserving the film's surprises and final outcome.

Released in 1955, The Man who saw Death was directed by Gonzalo Delgrás, with a screenplay credited to Margarita Robles and José Francés. It was produced in Spain, reflecting mid century filmmaking styles and conventional studio practices of its time.

Reliable box office records for this film are scarce, and no verified worldwide gross is available. It appears to have had a limited theatrical run, primarily in Spain, and did not register significant commercial reporting in international markets or archives.

Not widely known outside Spain, the movie still interests genre fans and scholars for its early use of a psychic consultant in crime fiction. Its moody visuals and fatalistic tone appear in discussions of Spanish fantasy and horror, showing an early mixing of supernatural elements with police procedural conventions today.

Critical coverage is limited, with few contemporary reviews surviving, so assessments rely on archival study and genre critique. The film wrestles with fate, moral responsibility, and whether knowing the future changes outcomes. Its atmosphere, moral ambiguity, and procedural elements make it useful for scholars of mid century Spanish genre cinema.