The Room

Kate and Matt move through a sunlit home that hides a secret room where wishes can come true. After suffering two miscarriages, the couple sees this strange space as a possible path to a child, and their hopeful plans collide with questions about how far they should go. The house responds with eerie, unpredictable signals that blur the line between dream and reality. As their longing grows, trust between them frays and the small room exerts an unsettling pull on their daily lives. The film blends intimate grief with a slow burning sci fi mood, turning private loss into a creeping mystery that tests both their relationship and their sense of safety.

Directed by Christian Volckman, The Room is shaped by the creative input of Éric Forestier, Gaia Guasti and Sabrina B. Karine. Released in 2019, the film presents an original premise that leans on mood rather than established source material.

Critics describe the movie as a restrained blend of domestic drama and speculative horror, where atmosphere carries more weight than explicit scares. The central themes revolve around grief and the longing for what was lost, the ethics of wishing for more, and how trauma strains trust and memory. The storytelling prioritizes character study over action, inviting viewers to reflect on what people would trade to become parents and how a quiet home can become a site of moral testing.

Even as a small independent release, The Room taps into a long line of intimate horror that uses a domestic setting to probe big questions. The premise of a wish granting space within a home offers a modern fable about parenthood, consent, and responsibility, while the film silent through much of its tension leaves room for viewers to project their own anxieties. Its restrained visuals and careful pacing may influence similar indie thrillers that mix emotional resonance with speculative ideas.