We Met in December

Two strangers cross paths during a long layover and feel an instant spark that neither of them fully acknowledges. Annie Lane and Dave Weeks forget to swap numbers, and the moment slips away before it can collide with fate. The next day, each boards a flight to Chicago, only to find their schedules misaligned and their chances to reconnect slipping through the gaps of airport announcements and layover cafés. What follows is a quiet, intimate romance that tests timing, memory, and the stubborn pull of a connection that refuses to fade. Across terminals, trains, and city lights, they chase clues left in moments of chance hoping another meeting will finally set their story right. The film glides between airports and late night trains, capturing fleeting glances and the hush of a city waiting to be discovered.

Directed by Jonathan Wright, this 2025 romance drama comes from creator Nina Weinman. The project appears to be an original story that follows two strangers whose chance meeting becomes a test of memory, timing, and pursuit in a modern maze.

Box office data for We Met in December has not been publicly released, which is common for smaller releases. The producers are positioning it as a character driven romance rather than a blockbuster, with festival circuits in mind.

No major nominations have been announced for the film. The quiet focus on two leads, Autumn Reeser and Niall Matter, anchors a restrained exploration of chance encounters and desire, with observers noting the chemistry and earnest storytelling that benefits from a grounded, dialog driven script.

Reception and themes center on how a fleeting connection can alter life and how memory shapes choices in a world of constant travel. The film favors quiet dialogue and meaningful glances over grand gestures, inviting viewers to believe that timing can matter as much as fate.