A Woman in the Typhoon Area

On a remote weather outpost perched along a storm belt four desperate pirates land with a single plan to seize the station and force a hijack of their next supply ship. Kuriko Sato, a dedicated worker at the outpost, finds herself drawn into the tense standoff as the invaders try to break the crew and take control. The island presence and the fragile equipment add a claustrophobic feel as the would be raiders juggle bravado with fear. Then a weather forecast arrives warning of a major typhoon closing in with crushing winds and heavy rain, a fact that stalls the pirates while raising the stakes for everyone inside. The clash of greed, fear, and loyalty tests everyone on screen tonight.

Directed by Hideo Ōba this 1948 crime drama draws on original material by Ruiju Yanagisawa and Ryuichiro Yagi. Setsuko Hara leads the cast as Kuriko Sato, supported by a tight ensemble that sustains tension as the storm rages throughout convincingly.

Box office data for this title is not available in the provided information. Given its postwar era release the commercial record is not documented here and the film has remained a relatively quiet entry in the Japanese crime drama landscape.

There are no widely documented awards for A Woman in the Typhoon Area and it does not appear among major nominations from the period outside the mainstream today. Critics at the time favored flashier performances, and the film has since become a niche relic in festival retrospectives and scholarly discussions.

Reception to the film highlights its spare setup and its focus on character dynamics under pressure. The themes include control versus helplessness, the ethics of force, and the unpredictability of nature as a force that reshapes human plans. It uses the typhoon as a motif to test trust and mercy.