Veneciafrenia

Four young Spaniards head to Venice for a bachelorette party, hoping for sun, gondolas, and carefree nights. From the moment they land, locals glare and whisper about outsiders, turning each gesture into a point of tension. A festive plan quickly grows uneasy as suspicion spreads and alarms flare at every misread signal. The group finds themselves trapped in a labyrinth of canals and narrow streets where fear seems to follow them. What begins as a celebratory trip fractures into a fight for safety and sanity, and they must decide who to trust while the city itself feels both alluring and threatening.

Led by Ingrid García Jonsson and Silvia Alonso, Veneciafrenia is directed by Álex de la Iglesia from an original screenplay by de la Iglesia and Jorge Guerricaechevarría. Released in 2022, it pairs sharp dialogue with kinetic chase in Venice's labyrinth. The production leans on practical effects and compact, relentless pacing that keeps tension high.

Box office revenue was about 543,561 dollars worldwide, indicating a modest release for a genre title. The number suggests a targeted festival to limited theatrical rollout rather than a wide international launch, a common path for contemporary Spanish horrors with niche appeal and strong word of mouth in select markets.

There are no major awards listed for Veneciafrenia, and it did not secure high profile nominations at top ceremonies. Critics view it as a solid contribution to the Spanish horror scene, delivering tense entertainment while raising questions about outsiders and the price of fear.

Reviewers note the film uses a tense survival scenario to probe xenophobia and crowd mentality. It builds anxiety through sound design and pacing, turning Venice into a character of its own. The story invites reflection on how fear, prejudice, and the press of tourism shape our responses to strangers.